THE MORRIS BOOK, Online Version

	While the tapping is being done all stand fast, not moving the feet at all. When the six taps are finished, in bars 1 and 2, 5 and 6, the sticks are held crossed and in position; and in bars 3 and 4, 7 and 8 all break into 4/3 step, and keep it up throughout those bars. The movement sounds absurdly simple: so it is, but if done with precision the effect is at once quaint and stirring. HAND-CLAPPING. This is done with the naked hands, handkerchiefs hanging loose from middle fingers; and dancers should clap hands as loudly as ever they can. Each dancer claps hands and knees in a number of different ways, according to explanation and diagram which follow. All stand fast while clapping, not moving the feet. Each individual dancer-- Claps his hands together before him: Shown thus in diagram which follows                                b. Or slaps right knee with right hand                                r.k. Or slaps left knee with left hand                                     l.k. Or raises right knee and claps hands under it           un.r. Or raises left knee and claps hands under it             un.l. Or claps both hands together, behind him                      b.beh.
	DIAGRAM OF HAND-CLAPPING.
	Hand-clapping in last four bars of "B" music is a repetition of clapping in first four bars, as shown in diagram. Therefore in the Notation of this dance (p. 77) the term "Hand-clapping" means clapping as shown above, and the same repeated. ON HOLDING STICKS. Unless specially instructed otherwise, the stick is held, whether at the end or middle, as follows. It must be grasped much as a penholder should be; that is, lying in the hollow at the base of the thumb, supported by the second finger, and with the forefinger and thumb meeting together above it, to hold it in place.